Cradle of Sea and Soil is a coming-of-age story with a few twists set in a unique world that I wanted to love, but I only mostly liked. The story has two third-person POV characters: Colibrí and her son Narune, both “Halfborn” with island coyote ears and tail who are scorned by the island’s “Trueborn” humans. Despite their status, both of them are proud fighters and do battle against the Stillness, the deadly opposite of the Flows of Creation; and the halja, unnatural, hollow beasts that spawn from the Stillness. At the start of the novel, Narune is beginning to enter adulthood, and he wants to shake off the stereotypes that come with being Halfborn. Unfortunately, these stereotypes are rooted in tragic reality, and his dreams may be harder to achieve than he realizes.

Battle of the Linguist Mages has one of the most off-the-rails wild bonkers plots I’ve ever encountered in a fantasy novel, ever. First of all, it’s called Battle of the Linguist Mages, and it’s literally about mages who use linguistics to do battle. Features include an incredibly snarky protagonist named Isobel, who happens to be the best player in the world at the virtual reality game Sparkle Dungeon (secretly a method of training linguist mages), sentient alien punctuation marks that have formed symbiotic relationships in humans' brains, power morphemes, and more uses of the words “instantiate” and “ontological” than I expected to see in a fantasy novel, ever.

What would happen if, in the not-to-distant-future, a benevolent AI who likes cat pictures were unleashed upon the Internet? And what would happen if it became the administrator of an online chat forum with a bunch of high school students looking for a community? Catfishing on CatNet tells the story of Steph, a lonely teenager who lives with her mom, the two of them constantly on the run from her dad and always moving from small midwestern town to small midwestern town. Steph’s one constant is her “Clowder,” an online community administrated by CheshireCat - who happens to be a benevolent AI who likes cat pictures.

A dark gaslamp fantasy with a unique world and twelve original races, each with its own god, The Thirteenth Hour is worth reading just for its premise and setting. But its characters and plot more than do it justice too, as it follows co-protagonists Kayl and Quen through a reluctant partnership to solve a case that begins as a simple murder mystery and turns into something much, much bigger.

A truly great concept (let’s bring a computer programmer into a fantasy world that currently has no governing principles) executed in an extremely mediocre fashion and with cringe-inducing levels of sexism. Roughly the first 50% of the novel is a boring journey through a forest which the two protagonists resentfully undertake after a plot device dumps them together and from which they’re saved by a deus ex machina. The next 10% is a boring story-within-a-story that introduces new characters that we don’t really care about in the slightest; and finally, the final 40% covers the plot we actually care about, but at this point there’s no time left to spend on the concept we actually wanted. Really, I was hoping for something that had more in common with a compilers textbook.

I didn’t love The Changeling Sea as much as I was hoping. It’s a sweet slice-of-life, fairytale, romance story set by the sea. Peri’s mother is swallowed by depression after her father dies, and so Peri goes to live with an old woman instead. When the old woman disappears, she lives alone. She decides to hex the sea because it has taken too many people from her, and she hates it, and the novel is about her learning to find connection to people around her again when strange events start to take place. I’m not sure if I would have liked it more if I’d read it when I was in a different mood, or if I was just never going to love it, but it just didn’t quite give me the feelings I knew it was trying to.

Piranesi is just a wonderful piece of literary fiction that I cannot recommend enough. Wait to read it until you’re in the mood for a patient read; it’s short, but it’s not fast. If you’re not enjoying it within the first few pages, put it down and pick it up again later. I’d encourage you to pick it up without reading anything else about it; the less you know going in, I think, the more you’ll enjoy it. If you’re convinced, then stop reading now.

Scales and Sensibility is a fun, cute, what-could-possibly-go-wrong case of mistaken identities. The plot revolves entirely around the fortunes of a couple families in 1800s England-but-with-dragons and takes place over the span of about a week, so it’s a very low-stakes, lighthearted comedy. Our heroic and sensible protagonist is one Elinor Tregarth, split off from her sisters and living with the insufferable Penelope after her family’s ruination by an investment scam and the subsequent death of her parents.

Okay this fantasy setting is just, the coolest. Any plot set in this world would be worth reading just because the world is so damn cool. And admittedly, the plot in the first novel isn’t the greatest, but it does subvert a bunch of expectations, and the plots of books 2 and 3 are much more interesting. And the world is SO COOL.

Iron Widow is not a subtle story. Wu Zetian seeks revenge for her sister’s death at the hands of war hero Yang Guang, a Chrysalis pilot who regularly kills female concubine copilots during battle. Only her sister wasn’t killed during battle; instead, he killed her for some unknown reason outside of combat, and her family wasn’t given any monetary compensation as a result. Her family isn’t upset about the death, they’re just upset about the lack of money. Wu Zetian’s upset about the treatment of women in society.