Where The Palace Job was incapable of taking itself seriously for more than a couple paragraphs at a time, The Prophecy Con returns with a high-stakes storyline from the start with the fates of nations - and perhaps the world - relying on the back of this volume’s heist. Or, more accurately, heists. Remember “The Love Song Eillenfiniel” that we just spent an entire book stealing and then gave to the elves? Yep, it’s time to steal it all over again. Why? Er…the crew isn’t quite sure, and they need to figure it out quickly.

This is a combined review of the first two novels in the Arcane Ascension series, Sufficiently Advanced Magic and On the Shoulders of Titans. I DNF’d the series at that point, after reading Goodreads reviews of the third novel, The Torch that Ignites the Stars.

A hilarious heist novel with an ensemble cast, The Palace Job tells the story of a…bookseller who attempts to…acquire and sell a book. Plans are created and foiled, a prophecy may or may not be involved, lots of things go wrong, some things go right, and hilarity ensues.

Many reviews on the internet talk about how wonderful Cradle is. I’m going to try and convince you to give it more than the first book by talking about how much I didn’t like the first book yet still loved the entire series, and why you should suffer through the pain that is Unsouled and continue on with this gorgeous progression fantasy epic.

It’s incredible how much M.L. Wang manages to fit into The Sword of Kaigen. It’s a book of contrast and conflict: Two protagonists in a coming-of-age story, Misaki the mother, and Mamoru the son. Misaki’s own life is of contrasts; she received a modern, foreign education and then returned to a remote, traditional life. She and her husband do not have the harmony or communication in their marriage that she desires; he wants to ensure that they never fight, so he leaves her alone. The novel starts with a new boy coming to Mamoru’s school from the city, and again his modern experiences conflict with the mountain village’s traditional culture. And the central plot revolves around conflict, as Ranganese invaders are coming to the Kusanagi Peninsula, and the jijakalu are all that stand in their way.