You can take for granted that a Brandon Sanderson novel will have a unique, compelling magic system with the necessary depth of worldbuilding to support it, and his debut novel Elantris is no exception. From the Shaod to Aons to Seons, every bit of magic on the planet Sel is captivating, and the story of Elantris is just as compelling. The only complaint I have about the novel is its characterization of women, but even that isn’t enough to knock it down from a 5/5 rating, everything else about it is so good.

Project Hail Mary is tough to review because I think the best way to go into it is not knowing anything at all, and the less knowledge you have about the book, the more enjoyment you’ll get out of it. The protagonist wakes up on page one in a room without any memories. A computer asks him some diagnostic questions, and we go from there. Intrigued? You’ll love it.

Speaking of the story, this story is incredible. Once we’ve established our very cool characters, setting, and magic, we’re caught up in a non-stop whirlwind of political intrigue with twists and turns and then more twists and turns, followed by some surprises, then additional shocking events (I’ll have you know that I predicted exactly one of them*). The plot is seriously non-stop with no room to breathe whatsoever. I LOVED IT! However, if that doesn’t sound enjoyable, you’ll totally hate this book. Stay away from it; there’ll be nothing enjoyable about it for you. But my god, I loved it.

Technically this is a DNF review; I only read the first five stories, to complete non-hard-mode Bingo, but I wasn’t intending to read the entire anthology unless I really enjoyed the first five stores that I read, and I didn’t. I’m not really a fan of short stories in general, and these weren’t particularly captivating.

A pretty mediocre YA novel, The Witch Haven is set in the early 20th century in New York, but the historical setting is mostly irrelevant to the novel, and it may as well take place anywhere without cell phones or the internet.

A Natural History of Dragons is a nice opener to a series that I have not yet continued, but I’ve heard gets much better. It’s narrated by a much older Lady Trent, looking back at her childhood and early adulthood, and the majority of the appeal is her narrative voice rather than the story, though the story is acceptably enjoyable as well. Lady Trent, then known as Isabella, is obsessed with dragons. She wants to study them, to observe them, to draw them, to understand them.

Beneath the Citadel has a lot going on. From the very beginning, there’s a heist that goes south, then a backup heist, then more hijinks take place. It deals with several interesting themes: Prophecy and free will; memory, memory loss, and identity; power and corruption. There’s strong LGBT representation: a gay couple, a bi character, and an asexual character. There’s a bunch of different types of magic, most of them pretty well defined and worldbuilt. And due to characters' abilities to share, read, and erase memories, the plot is almost akin to that of a time travel novel in complexity (there’s no actual time travel) (although philosophically we could ask if having memories erased and restored is equivalent to time travel…). Unfortunately all of this is significantly crippled by characters who do irrational young-adult-novel things, and the novel is weakened a lot as a result.

She Who Became the Sun tells the story of a girl who is about to die but steals her brother Zhu Chongba’s supposed fate of greatness. Her story is one of a struggle of identity: If she has stolen her brother’s identity to steal also his fate, who is she? What skills is she allowed to possess? What desires is she allowed to have? How can she define her life? Heaven is watching her - literally - and any misstep threatens to send her back to her original proclaimed fate of nothingness. But her brother did die as nothing, and she must use her own skills and desires to make her own fate in the eyes of Heaven and claim her Mandate in his name.

Circe is the story of the titular character’s life and exploits in Greek mythology (you know her from The Odyssey where she turns Odysseus’s crew into pigs). It’s told from Circe’s own perspective, at some unknown point in the future as she reflects on her earlier life events with a quiet, almost slice-of-life style despite spanning hundreds of years of history and perhaps a dozen different Greek myths.

Gideon the Ninth is every genre that I don’t like - horror, locked-room murder mystery, kinda-gross-and-violent battle scenes - but told with the callously disrespectful humor of the titular Gideon’s narrative voice in such a way that I found myself captivated and, surprisingly, enjoying it. Though I will admit I skimmed a lot of the kinda-gross-and-violent battle scenes.