Alix Harrow’s The Once and Future Witches is a historical fiction novel about suffragists (except they’re also witches) and sisters (and they’re also witches). It’s equal parts angry, beautiful, and heartbreaking. The prose is lovely, with sweet little alliterations snuck in as the witches discover the wills, words, and ways to change their world. And Gideon Hill is definitely not based on Mitch McConnell according to the Goodreads Q&A.

It’s incredible how much M.L. Wang manages to fit into The Sword of Kaigen. It’s a book of contrast and conflict: Two protagonists in a coming-of-age story, Misaki the mother, and Mamoru the son. Misaki’s own life is of contrasts; she received a modern, foreign education and then returned to a remote, traditional life. She and her husband do not have the harmony or communication in their marriage that she desires; he wants to ensure that they never fight, so he leaves her alone. The novel starts with a new boy coming to Mamoru’s school from the city, and again his modern experiences conflict with the mountain village’s traditional culture. And the central plot revolves around conflict, as Ranganese invaders are coming to the Kusanagi Peninsula, and the jijakalu are all that stand in their way.

In an alternate-history Rome, where the Senate took control away from the Emperor hundreds of years ago and started a new tradition of deciding the empire’s ruler, Caius Serica finds out that his entire life has been a setup both to judge and to prepare him for the Trials to become today’s new Emperor. He’s whisked away to a secret mountain location by Marcus, his advocate, where he will compete against thirty other candidates to vie for the position. While there, he forges alliances, makes enemies, and has to confront not only his opponents but also himself - does he even want this?